On a sunny November day in San Francisco’s Mission District, inside the offices of Stamen Design (a studio known for cool-looking maps), I met what you might call a unicorn of the modern knowledge economy. Her name is Nicolette Hayes.
She and I sat down, and she walked me through her latest two client projects. The first was an interactive model of the Amazon rainforest designed for a popular geography magazine. The second was a visual design language for human emotion, where sadness was represented as a deep ultramarine blob with soft blurry edges. These disparate projects called upon a range of visual, interactive, spatial, and psychological concepts that many would struggle to understand, let alone weave together cogently.
What once might’ve been a three- or four-person team is now simply Nicolette.