blog/Musings
Stamen in Icon 109
We’re the cover story (!) of this month’s Icon Magazine, featured alongside my longtime heroes at the Center for Land Use Interpretation as part of the maps issue. Ari Messer did a terrific job on the interview, and R.C. Rivera spent an afternoon photographing our plant- and map-filled studio with some lovely results. Unfortunately Shawn...
Kelso at MIT for 2012 Knight News Challenge Winners
Nathaniel showcased nearly two years of City Tracking in Boston last Monday at the MIT/Knight Story and the Algorithm conference. You can read about this years’ winners here, as well about the changing nature of the grant: shorter cycles, more opportunities to apply, that kind of thing. It’s worth a look. The City Tracking project...
HQ2 Week 96
It’s been a busy summer, and we’ve got a few things to share. We’re hiring a Developer We’re ready to hire again! If this is you, or someone like you, get in touch, wouldja? Stamen’s work is a creative fusion of design and technology, front-end and back-end. Behind the maps and visualizations in our projects...
Goings on
Sometimes I wish I could be as disciplined as my friends at Berg, who’ve been faithfully writing up weeknotes rain or shine for 308 weeks now. These days it’s a struggle to even participate in all the things that are going on around the studio, much less write about it. In my head sometimes we’re...
Stamen in the New York Times
Stamen was featured in the New York Times business section yesterday. Like, the actual paper version of the paper, the one with the crossword puzzle (thanks John Poisson for the photo): Three things are insanely great about this: We’re there alongside industry smarties like Hans Rosling, Ben Shneiderman, and Jim Bartoo. This is good company....
Prettymaps on 20×200 — prints!
We’ve — finally! — collaborated with the fabulous Jen Bekman’s 20×200 on a print edition of a Stamen project, Prettymaps. 20×200 makes it possible for people to buy art at whatever level they’re comfortable, from $20 to $200, and the project has put art into the hands of lots of people who wouldn’t otherwise afford it, so good on...